Unpop Culture

Over the past few years, I’ve posted numerous articles about sex and nudity in films and television. I am grateful for the opportunity to compile material from several of these posts into a new article for Reformed Perspective Magazine. The post went live last week, and it is entitled Here’s the problem with just closing your eyes during the sex scenes . This article is a good summary of some of my main points. UPDATE: a PDF of the print edition is now available here . photo credit: ATENCION: via flickr , CC

The first assault against Jennifer Lawrence was heavily discussed in the news and on social media. It resulted in an FBI investigation, subsequent prosecution, and an  upcoming sentencing . The second assault has received similar coverage, but more as a human interest piece than anything else. The legal ramifications of this second incident are practically nonexistent. The overall response to the first assault was outrage. The response to the second was indifference. What were these two incidents? The first, as you may have guessed, was the 2014 iCloud hack in which private/nude photos of several female celebrities, including Lawrence, were stolen and published online. The second incident involved the filming of Jennifer Lawrence’s first sex scene (for the sci-fi movie Passengers ). Let me set the stage by sharing three similarities between the photo hack and the sex scene. First, in the aftermath of the photo hack, Lawrence experienced anxiety. “I was just so af...

When it comes to movies featuring the Avengers, I’m definitely in the minority. My emotional response has wavered only between mild disinterest to outright boredom—especially when it comes to anything related to Thor and/or The Hulk. Similarly, Captain America: The First Avenger left me completely underwhelmed. I loved the character of Cap himself—how could I not?—but found his origin story uninteresting. That all changed when I saw Captain America: Winter Soldier . With tense action sequences, a healthy dose of espionage, a palpable sense of danger, a deliciously entertaining supervillain, and deft handling of moral/political themes, Winter Soldier rocked my socks off. My wife and I wanted to watch the film again even before it had finished. The announcement of Civil War thrilled me with the possibility of watching another Cap-centric Avengers film. At the same time, I knew the bar had been set quite high. Could Cap (the superhero) entertain Cap (the moviegoer) as muc...

If you’re a fan of the 2014 film God’s Not Dead , and if you’re excited about its upcoming sequel, you and I probably have several things in common. We likely agree that historic Christianity is becoming less and acceptable in the public sphere. We likely agree that many of our nation’s college campuses are becoming more and more hostile to individuals who adhere to any form of absolutes. We also likely agree that there is an increasing need for believers of all types—students, teachers, pastors, filmmakers, etc.—to engage with our world in an effective and countercultural way. It’s actually because of these shared beliefs that I’m majorly concerned with the popularity of God’s Not Dead (and other movies like it). And it’s because of these shared beliefs that I want to explain my concerns to you. I’ll put aside most of the artistic issues I have with the film. (For that, I’ll direct you to my cyber friends Steven D. Greydanus and Peter T. Chattaway ). My main focus here wi...

They could have called it God’s Not Dead . But then it would have been cheesy, corny, and other food-related adjectives. Risen is devoid of most cheese and corn: no caricatures, no wish-fulfillment fantasies, and no deceptive ethos-building. It’s not a perfect film, but it is a welcome addition to the faith-based genre. As a reminder, I rate movies based on three criteria: potentially objectionable content (C), artistry (A), and my personal preference (P). CONTENT (C): 10 out of 10 Believe it or not, faith-based films often have questionable content—not the typical sex, violence, and profanity, but something just as problematic. What they often do is jettison artistic nuance and subtlety and instead beat audiences over the head with a blatant message that, true or not, alienates skeptics and ends up preaching only to the choir. Such tactics are morally and artistically deficient. In the case of Risen , no such overt message exists. The film is obviously sympathetic t...